Space Extra Large Abstract Canvas Art is a kind of creation that sublimates to the level of art in the form of science. It not only requires the creator to respect the scientific facts, understand and grasp the current situation of existing scientific knowledge, but also requires the creator to exert his own imagination and resolution to improve scientific achievements and explore the course and find the future direction of development. It should not only go with science, but also take the lead in science. It can also be an inversion of space and time.
The so-called abstraction: "abstraction is the"refinement"of rich sensory materials to be refined, to remove the false and retain the true, from which to which, from the surface to the inside of the transformation of the production effort. It can be seen that abstraction refers to discarding their non-essential individual attributes and extracting their essential commonness from many things, thus forming a concept or a symbolic symbol. It is the result of processing and refining from the common essence. Furthermore, we say Abstract painting, that is, compared with concrete painting, more concise extraction and generalization of the processing of things.
Yu Jingchuan, a space artist, divides space art into three categories: space science and art based on scientific research and fully abiding by scientific facts; space science and art based on scientific fantasy and predictive and forward-looking; and space science and fiction based on pure fantasy, which expresses the abstract space world, the inner world and the subconscious space intention of human beings.
Oversized Abstract Art in domestic space art has quite a part of abstract works. Different from foreign countries, domestic creations are often based on modern astronomical achievements, combined with the artist's imagination beyond the achievements, and combined with the artist's inner feelings. Compared with foreign countries, the famous British space artist Hardy's works, he likes to add historical stories or space fantasy to his creation, paying attention to the distribution and form of the combination, and the narrative and story of his works are stronger. The Oriental conservative tradition pays more attention to the inheritance of tradition, and likes to follow the essence of things, making things seem reasonable and reasonable. The picture shows the tone of the doctrine of the mean of Confucianism on the whole, which is more tactful and obscure than the bold, direct and thematic features of the westerners. The unique rendering features of traditional Chinese Oversized Abstract Art are very suitable for expressing the emptiness of the universe, and also show the simplicity and innocence of Chinese painting. But in the choice of painting materials, the lightness of ink and wash also has its limitations in the expression of thick and heavy texture. This also promotes the exploration of more expressive techniques in Chinese space art.
In the form of oil paint,On the one hand, because of the high saturation of its own color, oil color improves the brightness of the picture; on the other hand, it is easier to express the thickness and space. The abstract oil painting creation of domestic space art mostly seeks a texture thickness to express people's guess about the unknown, and also seeks to express the understanding of the mystery of the universe on the color of light source. For example, in the Ice Age, the painter chooses texture to deal with his paintings, which makes the picture appear thick and visual impact is stronger. Skills of texture oil painting are not simple accumulation of oil paints. It requires clear conception and drafting before color creation. It emphasizes solid basic skills as the basis, and pays attention to the accumulation of sketch materials and ideas. This technique focuses on the production of the foundation, and reminds us of the Big Abstract Painting creation of American painter Fei Xin. But Fei Xin's oil painting is influenced by Russian traditional Large Abstract Wall Decor. He chooses thick and fast-drying base material as the base, which is suitable for fast layers of thick performance. The texture of "Ice Age" combines wet and dry, but the diluted part allows the paint to flow on the screen, some natural, some artificial, fully combine the two to express the effect of nature. At the same time, it uses color contrast and shade contrast to interpret the big difference and pure reality of material color and shade between the universe.
For example, Professor Xu Jiang of the Chinese Academy of Fine Arts devoted himself to the creation of contemporary oil paintings, relying on the opportunity of the development of Chinese society, integrating the eastern and Western cultural ideas. He not only absorbs the experience of the West, but also makes a sober cultural review of the influence from the West and adopts a strategic response. So his works are not only different from Ma Yuan and Xiagui's attachment to things, but also different from Monet and Cezanne's visual impression. But Xu Jiang's works still pursue a historical and cultural heritage. Unlike Xu Jiang, most of the abstract oil paintings of space art in China are based on scientific knowledge and seek their aesthetic interest from a scientific perspective. The work is based on abundant astronomical knowledge and abundant astronomical materials and theories. In combination with the theory of "elephant invisibility" mentioned by Laozi's "Tao Te Ching", Mondriaan and the artist of Holland stressed the importance of subtracting secondary and incidental factors in pursuit of the essence of an image, and integrated into the works of Vasily Kandinsky in 1912. Black bow, 154 contains violent conflict momentum and tense anger, giving people vivid imagination, and even can feel the movement of space.