- Written by Super User
On June nineteenth, the famous Large Canvas Art Cheap painting associated with the popular Austrian painter Gusitafu·kelimute(GustavKlimt1862~1918) "Adele Bloch-Bauer I" sold $135 million inside New York and started to be the world's most costly individual painting.
The Large Abstract Paintings artwork which usually is known because "Austria's Mona Lisa", has been previously owned by Helen Altmann, the niece of Mrs. Bauer, the new operator of cosmetics entrepreneur Ronald S. Lauder, the particular heir to the house of the founder associated with typically the famous cosmetics company Estee Lauder. Rich vendor Ronald Lauder, a makeup businessman, has spent $135 mil on famous art in addition to cosmetics to recharge the purchase price of the individual painting. At the particular 2005 Sotheby's auction within Ny, Picasso's famous Extra Large Modern Painting artwork "The Boy with a new Pipe" produced 104 million US ALL dollars, which had been the particular most expensive piece of art on earth at that period. In line with the privacy agreement, it will be not known how very much Lauder paid for Mrs. Adele Broch-Bauer I. According to be able to the New York Times, an anonymous insider believed the price to end up being $135 million, and Lauder herself failed to deny within an interview that the lady had set a fresh record for the price associated with just one painting.
Lauder known as the Big Abstract Painting For Sale "Mona Mack within My Heart". He or she exposed a private art gallery on New York's 6th Opportunity, Neue Galerie, which often has specialized in collecting works of art by simply German and Austrian artists. He later exposed of which Christie's had recently been assisting him negotiate for the famous painting.
- Written by Super User
Frustration is a method of coloring the root tribe brush of an oil brush. After pressing the brush, make it a little bit, and then move it up. For example, calligraphy goes against the front, vigorously and firmly. The difference of dipping color between the tip and the root of the pen and the different direction of the pen according to the weight of the pen can produce a variety of changes and interesting.
The technique of gently tapping on the screen after dipping with a wide oil brush or sector pen is called patting. The beat can produce undulating texture, which is neither too obvious nor too simple. It can also deal with strokes or colors that are too strong to weaken.
Kneading refers to the method of combining two or several different colors on the screen in a straight line. After color manipulation, natural blending changes will occur to obtain subtle and bright colors and contrast between light and shade, and it can play a role of transitional cohesion.
Lines refer to lines drawn with pens. Oil lines are usually drawn with soft pointed lines. But in different styles, round heads, proofreading and old flat pens can also draw thick lines like strong book centers. Oriental and Western paintings are all modeled with lines at the beginning. In early oil paintings, they are usually drawn with precise and precise line outlines. In Tempera's technique, line arrangement is the main means to form light and shade. Western Oversized Canvas Art later evolved into light and shade and body-centered, but despite this, the factors in the middle line of oil painting have never disappeared. Slender and bold. The use of neat or arbitrary lines and repeated overlapping makes Black and White Abstract Painting language richer, and the treatment of different shape edges is very important. The use of lines in Oriental paintings has also influenced the styles of many western modern masters, such as Matisse, Van Gogh, Picasso, Milo and Clifford.
Oil painting is one of the main types of Western Large Black and White Art. Painting art on processed canvas, boards, thick paper or walls with fast-drying oils and pigments. Early oil paintings used Tempere painting, which used egg yolk or egg white as litter to dissolve mineral pigments, and then made thin and transparent oil cover on the painting. In the 15th century, the Netherlands painter Van Eyck brothers used linseed oil and walnut oil as blending agents, which made the color easy to blend and was widely used. It is characterized by freely moving pens, laying layers on layers, improving the brightness of colors, and fully expressing the reality of objects and rich color effects. Since then, new materials and techniques have spread all over Europe. The Van Eyck brothers are therefore called the creators of European Big Black and White Painting. At the beginning of the 20th century, more and more people studied oil painting in China. Li Shutong (1880-1952) was the first one to study oil painting and introduced various techniques to China.
Sweeping is often used to connect two adjacent color blocks so that they are not too rigid. This can be achieved by gently sweeping with a clean fan-shaped pen when the color is not dry. It can also sweep up another color with a pen on the underlying color to produce the color effect of staggering up and down, loosening and not getting tired of death.
Stamping refers to using a hard bristle brush to dip the paint vertically on the screen with the head of the brush. The method of stomping is not very common and is usually applied only when special texture is needed locally.
Emulsion material is a kind of excellent traditional material with a long history, which has gained new development in modern times. Emulsion material is a kind of mixed material which contains both water and oil components. They have both advantages. All kinds of tempera painting materials such as egg color, cheese color and wax materials belong to the emulsion series. Emulsion materials can be diluted by water, drying fast, similar to water-based materials; can be used for opaque thick coating, dry insoluble in water, but also has the advantages of oily materials. All kinds of modern synthetic pigments of propylene and ethylene not only retain the characteristics of traditional emulsion materials, but also have the advantages of oily materials, and other materials have irreplaceable effects. They are new materials with great development prospects.
Oil painting is the main medium of painting using oily materials and natural resins. It is evolved from traditional emulsifier materials such as egg color and brewing protein. Oily materials are characterized by slow drying, luster and repeated coating. Oily materials have strong expressive power and rich technical effects, which can be said to contain almost all the technical characteristics of other materials and paintings. The characteristics of oily materials allow us to deeply and subtly depict the object's shape, which can show the rich and lifelike color relationship of the object, accord with people's desire to reappear the visual reality since the 14th century, and promote the development of Western painting to realism. Since the birth of oil painting, it has occupied a dominant position in the western painting world and developed all over the world, which also proves the superiority of oil-based materials. The transition from water-based materials to oil-based materials is a long process of change, which has gone through thousands of years. It is a major breakthrough in painting material techniques and even in the history of art. The use of oil and resin is one of the important characteristics that distinguish Western painting materials from eastern painting materials.
Pull refers to the oil painting sometimes need to draw strong lines and objects such as sharp edges, i.e. the side of the sword or glass. At this time, after adjusting the color with a knife, the color will be drawn on the screen with the edge of the knife. The shape drawn by the knife is solid and certain, which is difficult to achieve by brush or other methods.
- Written by Super User
Space Extra Large Abstract Canvas Art is a kind of creation that sublimates to the level of art in the form of science. It not only requires the creator to respect the scientific facts, understand and grasp the current situation of existing scientific knowledge, but also requires the creator to exert his own imagination and resolution to improve scientific achievements and explore the course and find the future direction of development. It should not only go with science, but also take the lead in science. It can also be an inversion of space and time.
The so-called abstraction: "abstraction is the"refinement"of rich sensory materials to be refined, to remove the false and retain the true, from which to which, from the surface to the inside of the transformation of the production effort. It can be seen that abstraction refers to discarding their non-essential individual attributes and extracting their essential commonness from many things, thus forming a concept or a symbolic symbol. It is the result of processing and refining from the common essence. Furthermore, we say Abstract painting, that is, compared with concrete painting, more concise extraction and generalization of the processing of things.
Yu Jingchuan, a space artist, divides space art into three categories: space science and art based on scientific research and fully abiding by scientific facts; space science and art based on scientific fantasy and predictive and forward-looking; and space science and fiction based on pure fantasy, which expresses the abstract space world, the inner world and the subconscious space intention of human beings.
Oversized Abstract Art in domestic space art has quite a part of abstract works. Different from foreign countries, domestic creations are often based on modern astronomical achievements, combined with the artist's imagination beyond the achievements, and combined with the artist's inner feelings. Compared with foreign countries, the famous British space artist Hardy's works, he likes to add historical stories or space fantasy to his creation, paying attention to the distribution and form of the combination, and the narrative and story of his works are stronger. The Oriental conservative tradition pays more attention to the inheritance of tradition, and likes to follow the essence of things, making things seem reasonable and reasonable. The picture shows the tone of the doctrine of the mean of Confucianism on the whole, which is more tactful and obscure than the bold, direct and thematic features of the westerners. The unique rendering features of traditional Chinese Oversized Abstract Art are very suitable for expressing the emptiness of the universe, and also show the simplicity and innocence of Chinese painting. But in the choice of painting materials, the lightness of ink and wash also has its limitations in the expression of thick and heavy texture. This also promotes the exploration of more expressive techniques in Chinese space art.
In the form of oil paint,On the one hand, because of the high saturation of its own color, oil color improves the brightness of the picture; on the other hand, it is easier to express the thickness and space. The abstract oil painting creation of domestic space art mostly seeks a texture thickness to express people's guess about the unknown, and also seeks to express the understanding of the mystery of the universe on the color of light source. For example, in the Ice Age, the painter chooses texture to deal with his paintings, which makes the picture appear thick and visual impact is stronger. Skills of texture oil painting are not simple accumulation of oil paints. It requires clear conception and drafting before color creation. It emphasizes solid basic skills as the basis, and pays attention to the accumulation of sketch materials and ideas. This technique focuses on the production of the foundation, and reminds us of the Big Abstract Painting creation of American painter Fei Xin. But Fei Xin's oil painting is influenced by Russian traditional Large Abstract Wall Decor. He chooses thick and fast-drying base material as the base, which is suitable for fast layers of thick performance. The texture of "Ice Age" combines wet and dry, but the diluted part allows the paint to flow on the screen, some natural, some artificial, fully combine the two to express the effect of nature. At the same time, it uses color contrast and shade contrast to interpret the big difference and pure reality of material color and shade between the universe.
For example, Professor Xu Jiang of the Chinese Academy of Fine Arts devoted himself to the creation of contemporary oil paintings, relying on the opportunity of the development of Chinese society, integrating the eastern and Western cultural ideas. He not only absorbs the experience of the West, but also makes a sober cultural review of the influence from the West and adopts a strategic response. So his works are not only different from Ma Yuan and Xiagui's attachment to things, but also different from Monet and Cezanne's visual impression. But Xu Jiang's works still pursue a historical and cultural heritage. Unlike Xu Jiang, most of the abstract oil paintings of space art in China are based on scientific knowledge and seek their aesthetic interest from a scientific perspective. The work is based on abundant astronomical knowledge and abundant astronomical materials and theories. In combination with the theory of "elephant invisibility" mentioned by Laozi's "Tao Te Ching", Mondriaan and the artist of Holland stressed the importance of subtracting secondary and incidental factors in pursuit of the essence of an image, and integrated into the works of Vasily Kandinsky in 1912. Black bow, 154 contains violent conflict momentum and tense anger, giving people vivid imagination, and even can feel the movement of space.
- Written by Super User
Black canvas artss-Thick drawing and thin drawing are also called dry drawing and wet drawing.Thick painting mainly refers to the process of painting in the process of toning with less water, Black and White Canvas Art covering with a thicker color, a larger amount of color.
And thin drawing method is to point to when drawing normally tonal thinner moist,Contemporary Canvas Art have the painting effect that water color dripping wet wet.Which is better, thick or thin?
How do you use it?Actually, thick painting and thin painting are often combined in gouache sketching.
Of course, there are also some authors who prefer to use thick or thin painting,Large Abstract Art which is also determined by their painting habits.In order to illustrate the different techniques and grasp their painting methods, we first talk about the characteristics of the two painting methods separately.
When thick drawing method is painted, dip in with the pen lubricious and full, mix water less, when representing an object picture, must next pen affirmation is powerful, brushstroke sense of direction is clear.
It is very suitable for the expression of the body turning clear, solid and thick objects, such as clay pot, hot pot, potatoes, fruits and so on.
In the expression of thick drawing method, besides thick heap and shaping method, permeable bottom drawing method can also be adopted.
This kind of method is the pigment on the pen although dry and thick, but dip in lubricious amount is not much, when using pen to draw, relaxed and fluent, cause the effect that breathe freely intentionally, the color that drops a pen
namely does not want to draw dead, picture solid, make the person feels very breathable, ground color can show between pen and pen, build the base tone tendency of this colorific area jointly.
This kind of gimmick can make or relaxed, lively, rich, vivid colour effect.HAND MADE LARGE ACRYLIC PAINTING CONTEMPORARY ART
Thin drawing method, it is the shop color of large area commonly, water color dripping wet, add next layer upon layer go.
When using thin drawing method, use color and water to want enough, a gas spreads big picture concern.
Move your pen quickly and decisively, or you will get a lot of water stains.
Thin painting is often appropriate for the performance of soft lining cloth, glass reflection, porcelain bottles, flowers or fruit, and so on, this will help to show the luster of objects and subtle color changes.
On the one hand, the choice of techniques to represent objects depends on the type of objects, and on the other hand, it is also determined by individual painting habits and preferences.
Thick drawing and thin drawing can be used to draw all kinds of objects.
Generally speaking, the color of dark ministry and the color of distant setting object should draw a few thinner, empty a few, the color of bright ministry and the color of close place object should draw a few thicker, solid a few.
This is easy to pull the color intensity before and after, but also in line with our visual experience.
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